In the crumbling ruins of a destroyed or decayed high-tech city, plagued after dusk by the once-human night walkers, Xhea lives among the dregs of society in the Lower City, the dwelling of those without enough magic in their bones to claim a place among the prosperous floating Towers above. But even here, she is the lowest of the low, for Xhea seems to be a singular anomaly in that she has no magic at all. She sees the world in shades of grey, and without a magical signature of her own everything from locks to lifts fail to operate for her, unrecognising of her humanity, for bright magic is life. Fortunately, her strange lack does seem to have left her with one gift, the careful employment of which lets her scrounge out a living, and sometimes even a taste of that elusive magic which restores the colour to her vision: She can see and talk to ghosts.
When Xhea strikes a bargain with a client to take the ghost of his daughter from him for a two-day reprieve, transplanting the ghost’s tether from him to herself, she brings an unexpected new friend into her life. Shai, the ghost, is Xhea’s opposite in almost every way, sprung from a wealthy life amidst the Towers, overflowing with bright magic — which is a problem, as ghosts, like Xhea, have no magic. Xhea has seen such a thing only once before, under horrific circumstances. Are the people of the Towers trying to bring back the dead? Or are they trying to do something even worse with these bright ghosts?
I signed up for a buddy read of Radiant months ago, and by the time I got to it, I’d pretty much forgotten what it was meant to be about. I didn’t even reread the blurb before starting, so I went in blind. Given I was a total blank slate, the setting cohered for me so fast, especially given the factors (magical floating towers) that sound like they should be hokey, but in practice really aren’t. Sumner-Smith quickly impresses with her ability to build the world in rich strokes without the crutch of heavy exposition. This feels very different from your average post-apocalyptic YA, not only in being more of a fantasy blend but in, surprisingly given those magical elements, feeling more real. I can believe in this place as a society more readily than many of the dystopias that stick to hard sci-fi.
I’m honestly surprised how this trilogy seems to have flown under the radar when so many readers are looking for YA books that are less focused on love triangles and more on friendship and family, because the female friendship here is the biggest thing to celebrate about Radiant. Xhea and Shai are such fabulous characters. They’re completely different from each other, yet they’re great expressions of two different ways in which to be brave. Xhea has a big, justifiable abandonment complex, and the walls she’s put up around herself have probably been a factor in what’s kept her alive so long in such desperate circumstances, but Shai’s influence shows her that some people are worth hurting for. Shai has been indoctrinated to live a life of agonising self-sacrifice that even death can’t free her from, and Xhea’s refusal to lie down and take it on both their behalves might be just what she needs to learn that it isn’t cowardly to refuse to be others’ tool any longer.
The story is divided into three parts that hold together excellently, never dropping the pace. I’m genuinely surprised to find that Sumner-Smith is a debut novelist whose focus until now has been short stories, because pacing is often one of my complaints when short story writers transition to novel-length fiction, but beginning, middle, and end are woven together perfectly, neither getting short shrift nor overstaying their welcome. I also find it immensely refreshing to read a story of this type in which no one acts stupid for the sake of the plot. Xhea and Shai are put into genuinely hard-pressed situations and they make sensible decisions, the decisions that I’d like to believe I’d make in such a situation rather than ones that leave me all-too-frequently yelling ‘But why wouldn’t you just try this?’ at the page. I also went to some lengths in my buddy read to praise the fact that the author went to some pains to really think through what the physical effects of the things she was putting Xhea through would be, and not to pull punches or resolve them with a convenient deus ex machina, whether it’s the fact that someone who isn’t eating properly does not have an endless supply of energy or the fact that a severe knee injury cannot be powered through with adrenaline and pluck, it needs an actual brace or it’s simply going to collapse. Having suffered a similar knee injury in the not-too-distant past, this level of realism made me almost irrationally happy. (I expect this is the feeling my horse-owning friends get when authors treat horses like actual animals and not slow, stubborn cars.)
And not a drop of romance in sight, much less a love triangle. This is just so solid all-around that I’m genuinely surprised it’s not a Hunger Games-level phenomenon, although I suppose quality has never been the determining point for those. I think this will also have a lot of crossover appeal to readers who don’t typically enjoy YA, because aside from a brief mention of her past which makes her current age explicit, I could’ve easily believed that Xhea was in her twenties.
My first five-star of the year. I can’t wait to see where the Towers trilogy goes next.